Breaking News : You can now blog from within MS Word by installing a simple plugin. You can 'publish', 'save as draft' or 'open' posts from via MS Word.
Go for it ! - these guys never cease to amaze me with their creative thinking. From now on, you know who to blame, if you lost your 'post' :P
Follow this link to read the FAQ for it.
p.s : Do you love music, don't miss out on the oppurtunity to enjoy some good music. Have to do no further than just scrolling down below this post :)
Disclaimer: All the products and their websites are registered trademarks and copyrights of the respective organizations
Wednesday, August 17, 2005
Saturday, August 13, 2005
[Song Watch] Agni Nakshathram
Happy Independence Day - Jai Hind
Agni Nakashathram by Mani Ratnam - starring Prabhu, Karthik, Amala, Nirosha had music by the one and only IR. The album was raging hit by any standards. It had nice mix of all genres producing a feel-good effect when you complete one-round of listening :-).
Per request by many, have tried to cut down on very detailed description of the songs, baby-step at a time. Tell me, if it has worked :P
Ninnukori Varnam - Chitra
Trademark IR violins open this classic fusion number Ninnukori. Acoustic Guitar /Slap bass can be heard being beautiful played. Even though am not an expert in chords, have heard/read from many who are, that IR matches the best of best when it comes to chords. It is proved amply in this song. Azhagiya Raghuvarane (0.58- 1.00) marks the beautiful climax of the pallavi.
Awesome work on the drums, which was one of the hallmarks of this album mark the interlude which has an interesting synth sounds backed by lovely bass riffs.
The stanza, has remarkably underplayed chords, continues with the excellent backing by the guitars and the flawless chitra singing away beautifully. If there is one line that sags in the entire song it is the poojai kaaga yengudhu (2.02-2.12) but that is more than compensated for in the line that follows immediately. Unnondu Naan is constructed amazingly - yet again the guitar doing its bit. Lovely! is the only word that comes to mind.
Second interlude, a very classic IR piece, with yet again, wonderful touches on violin, synth and drums. Second stanza follows the first to a 'T'. Interesting point to note the word of 'mohanam' which is the ragam of the song for those interested. It typically is a practise for all carnatic composers to include the reference to the ragam, in which the song is based on. Will we know whether it was intentional ?
Beautiful fusion number, amazing work on the bass & guitar and flawless rendition
Rating 4.6 out of 5
Oru Poongavanam - S. Janaki
Birds chirp away, flapping their wings setting the scene for the song. Janaki starts off the song with Oru Poongavam. There is the beautiful loop of piano with simple chords. Water splashing (signifying Nirosha swimming) and solo flute sets a melancholic mood to the song which is accentuated by the piano/violin combo with cute beats.
The rhythm pattern changes and sets the tone for the stanza which continues along the main theme of the song. The best part of the stanza is when Janaki hits ulaavarum (2.18-2.28). The violin backing up those lines are simply so cute !. Just a brief one-liner is all there is before you get into the second-interlude. IMHO, second interlude is *the* highlight of the song. synth pieces with amazing violing backing is simpy out of the world.
A simple song, with a touch of melancholy, nicely done.
Rating 4.2 out of 5
Roja Poo Aadi - S. Janaki & Chorus
Cool and hip rhythm piece welcomes you along with chorus harmony/voice chaas (instead of 'oohs') and awesome guitar/slap bass combo yet again. Roja Poo was so dance-inspiring when heard 17 years back. It still is such beautiful fast number. The chords in the pallavi are very nicely layered to bring awesome effect. Janaki emotes well, not ideal for the situation, but still executing the task of sounding youthful in masterly manner. By the time the pallavi is over, You will already be humming ta.taan.ta.taan after the line Roja Poo Aadi vandhadhu
Interlude, again, has violins, guitars and drums forging a superb alliance. Stanza adds to the foot-tapping effect by building on top of the theme. A wonderful twist awaits you at Thodu Thodu 2.15- 2.24.
Second interlude has beautiful piano roll and continues superb work on the violins from where it left off from the first interlude with 'voice chaas' . Stanza is same as the first, the twist, when it comes, is still superb at Idho Idho 3.28 - 3.37.
Bass is much more muted than other songs. IR unleashes some more power chords to top-off the song on a superb note.
Such a dance number, better than many numbers belted out today.
Rating 4.3 out of 5
Thoongatha Vizhigal - K.J. Yesudas & S. Janaki
Who would'nt fall in love with this wonderful number !. It had all the ingredients of a perfect melody - tune with carnatic base (ragam Amruthavarshini - more on that later in this blog), superb orchestration, flawless rendition and voila - a chartbuster !
The opening rhythm pattern is the typical 80'ish one. But that is the only thing that is predictable about the song. Chorus singing with techno sounds in the background and a brief flute cameo sets the tone for the pallavi - literally so. The pallavi is so lavishly composed in Amruthavarshini. It has some very interesting example of how to handle of meter-thaala kattu for the lyrics. In the fourth line, you have 'Anbe Nee illadhu' and the previous line that was similar was 'Paneerai theLithAlum'. You can never do the same meter for Anbe and Paneerai and thats where you can see how IR's genius comes out in 0.44 -0.47 - Wow !
Interlude is brief, simple and harps on the theme of the song. KJY starts the stanza with Mamara Ilai Mele . This alters the style of the song, bringing in some beautiful chord backing the voice of KJY. Some of the pieces are agmark Amruthavarshini - especially 2.07 through end of the stanza. Janaki handles those sections with marked ease. Amazingly well done stanza.
Second interlude is notably different from the main theme of the song, with yet again the stanza bringing in the dialog version of SJ & KJY singing. Second stanza is no different than the first.
Yet again bass riffs & chords have to be given their due credit ! - beautiful work.
Even though KJY handles the song comfortably, I felt Janaki came out on top in this song !.
Amruthavarshini ragam is made of S G3 M2 P N3 S. The ragam is supposed to bring 'rain' when sung. Whether or not that is true, our heart is moist with lovely melody when listening :-). My roomie pointed out another song by K.V. Mahadevan Anathineya Ra (Swathi Kiranam - courtesy Raaga.com)
Awesome song !
Rating 4.7 out of 5
Vaa Vaa Anbe - K.J. Yesudas, Chitra
This songs sounds evokes a pathos kinda mood even primarily because of the use of shades of Sivaranji ragam through the major portion of the song.
Violins, flute and piano join in to welcome us for the opening of the song, before KJY can start. The pallavi is simple with nice violin & guitar backup. Violin Chords are wonderful - you just have to wonder, how such chords have been plucked out of thin air for a ragam like Sivaranjani - only IR
Guitar cotinues to shoulder the bulk-load of the interlude, which is very IR'ish by all means :-) . The stanza is very simple and straight forward, Chitra gets to join-in with Kalai Malai. The chords deserve mention starting at 1.56 - 2.16. Awesome !!. Chitra also emotes to a sad-context. Was this song recorded for some other situation and MR used it out-of-context ? But lyrics all point to a love-duet !
Second interlude, is the best part of the song, wonderful orchestration (Violin & flute). Well, who better than IR to arrange something like that !. Second stanza follows the first in all aspects and brings the song to an end.
Notable piano rolls at the back-end. Quite passable a song. IMHO this song is the weakest link of an otherwise stellar album.
Rating 4.0 out of 5
Raja Rajathi - IR & Chorus
The opening line of this song had been on the lips of everyone during its release. It also had its due share of fun-pokers as to how 'recitative' the song was instead of being a 'song'.
IR showcases his skills as a vocalist & his mastery over rhythm/drums in this song. The drum piece in the first interlude is still famous, he has actually made a 'song' out of that piece !
Pallavi has some nice harmony backing up IR going Raja Rajathi and beautiful bass riffs. Interlude as mentioned above is out-of-the-world, you just listen to it with dropped jaws period. :-)
Stanza continues on the theme of recitative singing. People looking for typical IR 'tune' would not find it in this song. The second interlude is IR with experimentative hat on. The change in rhythm, did not augur well for the song, it kinda lost the tempo, which is odd for a song, that banks on the awesome rhythm. The second stanza is all the same but for the change in rhythm pattern. The song finishes off in the same fast tempo as it opens. It was/is still a dance number amongst most youngsters !. A very catchy, foot-tapping piece indeed
Rating 4.4 out of 5
The collection, has a perfect breath-taking mix of variety of songs, fusion, western, filmi etc. Very wonderfully done. Can't repeat it enough as to how the bass guitar/chord sections are so superb, that all aspiring musicians can ignore listening to such albums only at their own peril.
Some of the other observations include, the duration of the songs - most of them are under 4.30 minutes and also how the first stanza and the seldom differ in their arrangement :-)
This album, IMHO, is one of IR's bests albums.
Overall Rating 4.4 out of 5 - Must Have in any music lover's collection !
Enjoy more reviews from the archives
Disclaimer : Thanks Raaga.com - All copyrights & trademarks of Raaga.com is owned by the Raaga.com web-site
Wednesday, August 10, 2005
Google's Blogger Survey
All,
Urge you to take the Google's Blogger Survey and voice your opinion. In most cases, we dont take surveys coz we never 'see' the feedback in action. This time around, just to atleast keep the service free, i guess we should all take the survey and comment on it to say 'keep it free' :-)
Hope Google takes the survey seriously :-)
p.s : Do you believe in anything ? Read this article and its comments. At the end of it, you are guaranteed to be on the either end of 'spectrum of belief' or money back* (Terms and Conditions Apply) :P
Urge you to take the Google's Blogger Survey and voice your opinion. In most cases, we dont take surveys coz we never 'see' the feedback in action. This time around, just to atleast keep the service free, i guess we should all take the survey and comment on it to say 'keep it free' :-)
Hope Google takes the survey seriously :-)
p.s : Do you believe in anything ? Read this article and its comments. At the end of it, you are guaranteed to be on the either end of 'spectrum of belief' or money back* (Terms and Conditions Apply) :P
Sunday, August 07, 2005
Nambikkai
Recently, there was this kavidhai pOTi announced by Narayan Sir. The topic brought in some thoughts that i have assimilated into a small 8-vari-kavidhai.
For reading pleasure, please read every line twice - that strategy can turn even a.b.c.d (alphabet) into pudhukavidhai !
Nambaikkai
peTravar endral thaai
valarthavar endral thandhai
moothavar endral annan
iLaiyavar endral thangai
maNandhavar endral manaivi
eendravar endral makkal
irandhavar endral iraivan
iravian endral maTTum nAthigam ?
Translation
Belief
You believe,
mother is who gave birth to you
father is who brought you up
brother is who is elder to you
sister is who is younger to you
your wife is, who you married
your child is, your offspring
loved ones that pass away, are (with) God
The moment it comes to God, you believe in atheism ?
p.s : Don't miss out on the chance to be a part of History. Learn the latest technique to blog effectively within 3 minutes 37 seconds. Well, that is what it takes to read my Blogging 101 post ! ;). Scroll down a bit or if you are lazy, click on this... Blogging 101
For reading pleasure, please read every line twice - that strategy can turn even a.b.c.d (alphabet) into pudhukavidhai !
Nambaikkai
peTravar endral thaai
valarthavar endral thandhai
moothavar endral annan
iLaiyavar endral thangai
maNandhavar endral manaivi
eendravar endral makkal
irandhavar endral iraivan
iravian endral maTTum nAthigam ?
Translation
Belief
You believe,
mother is who gave birth to you
father is who brought you up
brother is who is elder to you
sister is who is younger to you
your wife is, who you married
your child is, your offspring
loved ones that pass away, are (with) God
The moment it comes to God, you believe in atheism ?
p.s : Don't miss out on the chance to be a part of History. Learn the latest technique to blog effectively within 3 minutes 37 seconds. Well, that is what it takes to read my Blogging 101 post ! ;). Scroll down a bit or if you are lazy, click on this... Blogging 101
Monday, August 01, 2005
Blogging 101
* updated Photo Blogs & Audio Blogs based on popular request ;) - please start the comment festival again :P *
Sometimes, it helps to make fun of your ilk. Request all bloggers to take it easy and laugh it off - no offense meant :-)
If you have really landed on this post hoping to find the right starting point. You got it !!. Please send me a blank check ASAP.
Let's get started !...
Sign up for a blogging account.
Do not think of why you need to blog. Just do it.
Think of abnormal phrases as titles for your blog. It can be anything like 'velilale mazhai' to 'thoughtless thoughts' to anything that cannot be pronounced. Note, nothing prevents you from using day-to-day items like 'Bata' Bytes or 'Rivet'ting rants etc. The more non-indian the title is the more catchy it is. (Tip: Try Greek, Latin, Spanish or even Madras Bashai)
Goal of blogging is to have as many visitors as you can get and as many comments as you get. Do not build up any other false 'hopes'
What to write ? Make up your mind about what you want to write. There are many options.
Daily Journals - which can include anything from your daily activity.
e.g. I opened a new bar of soap at 8.40 am today morning
Here in front of me is a sparrow.
(Oh, btb, it flew off before i could complete the journal )
Note : If you plan on keeping Daily Journals and if you are no celebrity, just make sure, your profile is set to be 'female'. Most readers dont read journals of men (Sorry men-folk that is the truth and Sorry women-folk, trust me, that is the truth)
Raving or Ranting - You can write about anything you want.
e.g. I saw a bee today. God awful. I am gonna $%$%!#$%^*& any bee i see.
Why do crows have to be black ?
I love masala dosai because...
I hate Lalu Prasad because...
Note: Since you are gonna be bashing someone in your post, you better be so speculative that you will generate lotsa readership like some of the 'leading' online 'magazines' (No candies for guessing what magazine is being referred)
Movies/Songs/Entertainment Gossips - Thunukku Mootai.
No examples - If you don't know what gossip/thunukku mootai is till now, you dont need to know it in future either :P
Philosophy/Sports/Science/Arts - Write all about topics in that 'genre'
e.g. Why do we exit
Why Tendulkar rocks or Why Ganguly Sucks
Why Google is hot
Why IR/ARR is good and all others are bad.
Reviews - Write what you felt about book/movie/music/places
e.g. Anniyan Sadha Sodha
Harry Potter raises hairs
Da vinci code is a winner
The best part about writing reviews is - you don't have to know squat about anything - just throw in some terminology - there will be atleast few people who will agree/disagree with you - that is all you need :P
*updated based on popular request :) *
Audio Blogs
For all of those who feel, they are the next SPB, KJY or Hariharan, and the only reason, they are not SPB/KJY is because have not been given a mic, this is your golden oppurtunity. Signup for audio blogging and starting crooning your way to glory.
You can also talk about anything, you can do mimicry, you can sing, you can cry - but make sure you don't make others cry :P
Aslo, you can be like de'waugh sir or banu malick siri.e. you can audio blog existing songs and call it your own audio blog.
Warning: You can be sued by the above sirs for copright i.e. right to copy infringement ;)
*updated based on popular request :) *
Photo Blogs
We all know picture speaks thousand words. If you can take pictures that can express thousand words well and good. Just make sure, you have good enough pictures to convey your happiness about the latest IR album, anguish about how bad a recent movies was. No 'leading magazine' style sleaze festival please ;)
Ofcourse, the fall back is always post pictures of a rose, a building, a bird and many more things. One good thing about using such pictures is, the only 'negative comment' you can get is how the lighting/photograph was not good - never the building or the bird i.e the content is always good :P
All of the above - Safest way to start, since you can write what you feel without being 'branded' :-)
Driving up visitors - Sign up with blogpatrol.com and set the start counter to 'bata shoe price' like 299 or 2999 etc - Never start with '0' - that is a big turn off.
Don't answer any question you are being asked directly. Ask them to go to your blogs instead.
e.g. Q: 'Do you know where the nearest pizza hut is ?'
A: Yes. Please visit my blog.
Q: 'Do you write about pizzas ?'
A: No. My blog has link to google and you can click on it and find a pizza hut near by
Note: It also helps to be a bit shameless. You can go to random sites and leave a comment prompting visit from the victim
Driving up comments - This is a big course in itself. There are some pioneers in the blogosphere who can talk hours together endlessly about this.
Tip1 : It helps to have opinionated friends. Go beat them up, cry, beg them to visit your website
Tip2 : Never restrict your comments to 'Only logged on bloggers'. Leave it open to anonymous.
Tip3 : If no one comments, comment as anonymous. Senthil has written in detail about many more ideas on this topic.
Tip4 : Reply to every comment. If possible, do multiple posts of the same comment, pretending it is accidental
Tip5 : Visit any blog site you can think of and leave a comment. "This was wonderful" is all you need. Copy paste it. Blogger etiquette demands a reply "This was wonderful" on your blog. Guaranteed or money back* (Terms and Conditions apply)
Blogroll biggies- The more your site is linked up via biggies's sites, the more visitors, comments you get.
Have a big heart - there may be cases, when you wont have visitors or comments. Just write something bad about some super heroes, you are guaranteed to have visitors.
If you are not upto the challenge and don't feel like blogging. Don't worry. Do visit this site often, and don't forget to leave a comment :P
Sometimes, it helps to make fun of your ilk. Request all bloggers to take it easy and laugh it off - no offense meant :-)
If you have really landed on this post hoping to find the right starting point. You got it !!. Please send me a blank check ASAP.
Let's get started !...
Sign up for a blogging account.
Do not think of why you need to blog. Just do it.
Think of abnormal phrases as titles for your blog. It can be anything like 'velilale mazhai' to 'thoughtless thoughts' to anything that cannot be pronounced. Note, nothing prevents you from using day-to-day items like 'Bata' Bytes or 'Rivet'ting rants etc. The more non-indian the title is the more catchy it is. (Tip: Try Greek, Latin, Spanish or even Madras Bashai)
Goal of blogging is to have as many visitors as you can get and as many comments as you get. Do not build up any other false 'hopes'
What to write ? Make up your mind about what you want to write. There are many options.
Daily Journals - which can include anything from your daily activity.
e.g. I opened a new bar of soap at 8.40 am today morning
Here in front of me is a sparrow.
(Oh, btb, it flew off before i could complete the journal )
Note : If you plan on keeping Daily Journals and if you are no celebrity, just make sure, your profile is set to be 'female'. Most readers dont read journals of men (Sorry men-folk that is the truth and Sorry women-folk, trust me, that is the truth)
Raving or Ranting - You can write about anything you want.
e.g. I saw a bee today. God awful. I am gonna $%$%!#$%^*& any bee i see.
Why do crows have to be black ?
I love masala dosai because...
I hate Lalu Prasad because...
Note: Since you are gonna be bashing someone in your post, you better be so speculative that you will generate lotsa readership like some of the 'leading' online 'magazines' (No candies for guessing what magazine is being referred)
Movies/Songs/Entertainment Gossips - Thunukku Mootai.
No examples - If you don't know what gossip/thunukku mootai is till now, you dont need to know it in future either :P
Philosophy/Sports/Science/Arts - Write all about topics in that 'genre'
e.g. Why do we exit
Why Tendulkar rocks or Why Ganguly Sucks
Why Google is hot
Why IR/ARR is good and all others are bad.
Reviews - Write what you felt about book/movie/music/places
e.g. Anniyan Sadha Sodha
Harry Potter raises hairs
Da vinci code is a winner
The best part about writing reviews is - you don't have to know squat about anything - just throw in some terminology - there will be atleast few people who will agree/disagree with you - that is all you need :P
*updated based on popular request :) *
Audio Blogs
For all of those who feel, they are the next SPB, KJY or Hariharan, and the only reason, they are not SPB/KJY is because have not been given a mic, this is your golden oppurtunity. Signup for audio blogging and starting crooning your way to glory.
You can also talk about anything, you can do mimicry, you can sing, you can cry - but make sure you don't make others cry :P
Aslo, you can be like de'waugh sir or banu malick siri.e. you can audio blog existing songs and call it your own audio blog.
Warning: You can be sued by the above sirs for copright i.e. right to copy infringement ;)
*updated based on popular request :) *
Photo Blogs
We all know picture speaks thousand words. If you can take pictures that can express thousand words well and good. Just make sure, you have good enough pictures to convey your happiness about the latest IR album, anguish about how bad a recent movies was. No 'leading magazine' style sleaze festival please ;)
Ofcourse, the fall back is always post pictures of a rose, a building, a bird and many more things. One good thing about using such pictures is, the only 'negative comment' you can get is how the lighting/photograph was not good - never the building or the bird i.e the content is always good :P
All of the above - Safest way to start, since you can write what you feel without being 'branded' :-)
Driving up visitors - Sign up with blogpatrol.com and set the start counter to 'bata shoe price' like 299 or 2999 etc - Never start with '0' - that is a big turn off.
Don't answer any question you are being asked directly. Ask them to go to your blogs instead.
e.g. Q: 'Do you know where the nearest pizza hut is ?'
A: Yes. Please visit my blog.
Q: 'Do you write about pizzas ?'
A: No. My blog has link to google and you can click on it and find a pizza hut near by
Note: It also helps to be a bit shameless. You can go to random sites and leave a comment prompting visit from the victim
Driving up comments - This is a big course in itself. There are some pioneers in the blogosphere who can talk hours together endlessly about this.
Tip1 : It helps to have opinionated friends. Go beat them up, cry, beg them to visit your website
Tip2 : Never restrict your comments to 'Only logged on bloggers'. Leave it open to anonymous.
Tip3 : If no one comments, comment as anonymous. Senthil has written in detail about many more ideas on this topic.
Tip4 : Reply to every comment. If possible, do multiple posts of the same comment, pretending it is accidental
Tip5 : Visit any blog site you can think of and leave a comment. "This was wonderful" is all you need. Copy paste it. Blogger etiquette demands a reply "This was wonderful" on your blog. Guaranteed or money back* (Terms and Conditions apply)
Blogroll biggies- The more your site is linked up via biggies's sites, the more visitors, comments you get.
Have a big heart - there may be cases, when you wont have visitors or comments. Just write something bad about some super heroes, you are guaranteed to have visitors.
If you are not upto the challenge and don't feel like blogging. Don't worry. Do visit this site often, and don't forget to leave a comment :P
Friday, July 29, 2005
Bombay Rains & Nature
Bombay Rains
Moment of nature's fury is all it takes to wipe out all of "it" from the face of earth
Man's fury tries to do that every second, till his death :-(
Nature
Rains that knew no bounds
37 inches in hours
Hundreds of people dead in a single day
That was Bombay
Lands that know no rain
3 inches a year
Thousands of people die every year
That is Tamil Nadu (not just TN)
Does Nature know no communism ? Why this disparity/discrimination ?
P.S : Don't miss the Musical Blast Post below
Moment of nature's fury is all it takes to wipe out all of "it" from the face of earth
Man's fury tries to do that every second, till his death :-(
Nature
Rains that knew no bounds
37 inches in hours
Hundreds of people dead in a single day
That was Bombay
Lands that know no rain
3 inches a year
Thousands of people die every year
That is Tamil Nadu (not just TN)
Does Nature know no communism ? Why this disparity/discrimination ?
P.S : Don't miss the Musical Blast Post below
Thursday, July 28, 2005
Music Blast - Behind the Scenes
We all listen to music - either man-made or nature-made. How many of us have been part of 'behind-the-scenes' of a man-made album ?
I got lucky this week, when i had a chance to sit-in on the recording of Sriks' new album H1BEES
Man, was it not so much fun ? to watch up-close all the gadget-wizardy, singers in their cabins, humming out their portions. Wow it was really spell-binding.
They were working on the re-lyric'ing and re-mixing yester-year super-hit song. It was so hep and lyrics had a nice modern-day adaptation to it. The music was quite peppy and current !
Looks like Sriks is inspired by his thalaivar ARR, there was so much improvization that was part of the game. You can see creativity flowing when a sudden-idea is born and they re-do some of the parts to fit-in with the new thoughts.
All in all - can't wait to hear the album when it is out - rumour mill has it that, it will be first week of september.
Can't wait to write a review :-)
I got lucky this week, when i had a chance to sit-in on the recording of Sriks' new album H1BEES
Man, was it not so much fun ? to watch up-close all the gadget-wizardy, singers in their cabins, humming out their portions. Wow it was really spell-binding.
They were working on the re-lyric'ing and re-mixing yester-year super-hit song. It was so hep and lyrics had a nice modern-day adaptation to it. The music was quite peppy and current !
Looks like Sriks is inspired by his thalaivar ARR, there was so much improvization that was part of the game. You can see creativity flowing when a sudden-idea is born and they re-do some of the parts to fit-in with the new thoughts.
All in all - can't wait to hear the album when it is out - rumour mill has it that, it will be first week of september.
Can't wait to write a review :-)
Friday, July 22, 2005
[Music Watch] Thiruda Thiruda
Thiruda Thiruda by Mani Ratnam, with P.C.Sriram and music by A.R.Rahman. It was one of those movies that had no logic and was purely entertainment movie. It was rumored to be entirely re-shot after MR did not like the outcome of the first rush. It was a big time flop at the box-office but had some of the best music and amazing camera work.
Rasaathi - Shahul Hameed & Co
A totally new voice was creating waves with the release of Thiruda Thiruda & Gentleman. Shahul Hameed it was !. Very different and pleasant at the same time, he was an instant hit with the audience.
It opens with Raasathi, and you can immediately bet your life, that you have never heard of such 'sounding' song before in your life !. Pallavi is simple and awesome. especially, the lines 'nee pona en'. Vocal harmony is all you get for any musical backing or interludes.
'mmmmhmmm's by the male harmony produces the equivalent of bass effect. 'aaah's by the female voice is nicely layered. First up, a single voice hums that, and then a chorus joins in. Looking at such wonderful layers of vocal harmony, Man, you are floored already and yet to even get to the stanza.
Shahul continues his rendition of the main theme, while the harmony picks up a faster tempo, and you could hear the first traces of bass (the only instrument in the entire song) being used. The male harmony, adds to the nicety in the humming (Manajal Araikkum Munne, 00.59 )
Every single line gets a vocal harmony which nicely complements the line. Listen to porava ponava dhaan at 1.13 - 1.17. The stanza is finished with a nice hum by the lead with harmony continuing.
The second interlude is made up of just female vocalists humming the theme of the song, with male vocal harmony providing with a such a peacefully satisfying tune.
The second stanza follows the first stanza to a 'T' and the song finishes off in the same vein, just that all the vocal harmony tracks are 'layered' to produce amazingly soothing effect.
The song proved early on, how much ARR loves to experiment. The song for the most part is bereft of any musical instrument, but for best ever known musical instrument, vocal chords ;)
It conveys the emotion of sadness caused by separation, excellently well.
Rating 4.6 out of 5
Kannum Kannum - Mano & Company
Yet again, the song starts with vocal harmony. The first time i heard it, don't know what hit you !. It was such a 'never-before-heard' in Indian Film Music type opening. You can replay from 0.00 till 00.23 and it will never disappoint you.
Mano starts the song with Kannum and immediately one notices the novelty. Every line alternates between a 'tick' kinda rhythm and hard-rock rhythm. The guitar work along with bass is awesome. The pallavi lines get repeated twice, before the first interlude sets in. The interlude is simple and cute. The stanza still uses the bongo ticks and hard-rock pattern. Bass guitar is the best part of the entire stanza.
The variety of voices/sound combination is evident by the use of 'vocal oohs' and the vocal effect at 2.22 - 2.27. The second interlude continues the vocal effect seen in 2.22 - 2.27 and uses the female vocal harmony to amazing effect. The guitar accentuates the hard-rock effect of the song.
Some of lines in the lyrics are funny, while some of them are downright superb like edhiri peyarai solli adhithal vetri endre artham. The song is relatively short by ARR standards at 4.06 but the tempo of the song is so fast that you dont even realize it has been just that short.
The song drags you into shout your heart out or shake your body out mode and you can really feel all our stress thrown out at the end of the song. Ecstatic best at the higher octaves and soulful swaras at the lower end.
For the carnatic music lover in your - learn agmark Sivaranjani from this song :-)
Trend-setter, pathbreaking rock song - and appropriately rocks !
Rating 4.7 out of 5
Konjum Nilavu - Anupama & Chorus
What can one say about this song ? About the husky vocals, the awesome programming, jaw-dropping rhythm or the tune itself !. This truly was a master-piece song from ARR's stable.
The song starts with opera like singing. The rhythm is such a free-flowing programming, built on top of traditional beats. Lotsa 'sounds' can be heard, that add the 'techno' feel to it. Bass, is noteworthy here. I think just the sheer work that goes into programming such stuff deserves high applause. The high point of the song is 'chandralekha' with nice chorus humming and superb chords. Interesting to note that some of the bass patterns were slightly touched up and used in 'oorvasi' and 'andha arabic'.
The stanza continues the bass loop, with ARR's forte, rhythm, being tweaked with techno effects like glass breaks etc. It already transports you into a dreamy fantasy mode, and wait till you hear the stanza. To the observant ear, you can notice the wonderfully done synth track that runs through the length of the stanza. The beautiful aspect of the stanza is how the melody theme, even though is very carnatic'ish gets superbly made-over to a western style. Listen to 'vandhu naan' at 2.32- 2.35, one could easily do an alaap in natabhairavi or related raagas as an extension to the song, but still one can swear that it is purely a western style song ! :-) Funny it is to realize that all music is contained in time-sequences of the seven swaras :-) !!!!!
The Suresh peters lead chorus at 2.47 through 2.55 adds a twist to the seriousness to the song and brings an awesome cresecendo to the song by Anupuma. The high point about the crescendo is the 'veena' piece between 3.05 and 3.08. No words to describe how we get puppetted at the wizardry of the music. Anupama scales the upper octaves as easily as she brings the seductive huskiness to the song. The second interlude is basically a re-work on the theme of the song and some from the first stanza. After a very brief pause, the song goes into the meditative mode yet again between 4.14 - 4.32 with the loop being played out by synth this time around. Yet again, the veena shows up for the brief cameo and brings the song back to its final phases, where Anupama once again lends so much 'emotion' to the song. The song finishes off with yet another amazing piece of higher octave singing and great work with the veena between 5.33 and 5.40
The end kinda wakes you up from the high-tech trance the song caused you to enter into :-) Only ARR !
Rating 4.7 out of 5
Putham Pudhu - Mano & Chitra
Sounds of thunder & rain greet you in this sweet melodious song wonderfully picturised in lush green background. PC Sriram and MR combo at its best ! Notes played by 'Bell' signifying rain drops (ARR does that often). Flute chirps away as if birds are dancing to the tune of nature, when beautiful run through of piano happens. I can still remember, how my friends (AP & AS) and I were excited to place our head right in-between in the two speakers of his boombox and see how the piano-roll would travel between one speaker and the other !. Chorus singing, violins and flute form the rest part of intro for 1.05 minutes into the song, before the actual pallavi starts.
(Remember all the audio casette store walahs ?, how they used to crib, "indha payyan, *in apparent reference to ARR* vandhapram, paatu ellam 5-6 nimishan ayidichu pa...munnadi ellam, 4 nimisham vandhale perisu" with a big sigh ! )
Mano opens the song with putham pudhu and Chitra follows him. There is the simple piano chords with lotsa treble, minimal violin instrumentation for the pallavi, and chorus is back at it again. The interlude is so wonderful, yet again, it transports you into such wonderful locations like only Ram.C manages to find :)
Mano continues with the charanam - Sondha Agayam vendum. Treble support continues but the bass steps in do amazing things to the song. Listen to the bass at 2.10-2.12. (Arun@Musicpaithiyam is to be blamed for all overflowing references to bass :P). The orchestration is simply superb and some of the lines (lyrics) are quite nice punnagai enghal thaai mozhi endra varam kodu is an eternally appealing line to lyricists of all times.
The second interlude is a show that is hijacked by the violins that continue with the dream world theme. Short but quite nice. This one song has quite a lot of chords that are underplayed, highly unlike ARR. As said earlier, the piano, violin, flute and heavy bass (awesome pieces between 2.13-2.15 and 3.36-3.38)
The lyrics, do definetely need some deserved credit. For the optimist, asking for peace, no cross-border disputes, no poverty, deserts turning into oases etc and are very good and fit well with the context of the song. Hopefully it just does not limit itself to the 'dream world' and works its way into reality as well.
Very melodious, sweet, simple and wonderful song.
Rating 4.7 out of 5
Thee Thee - Carolene
Jathis (Jathi Raja ?) and slap/bass guitar presenting 'straight from the book' opening of a perfect western-classical fusion song welcomes you to Thee Thee. As always with ARR, the complements of heavy percussion alternating with melody is brought out amply in this song as well. Carolene does the honors with this song, quite easily sung with beautiful chords. ARR redefined how chords get used in music arena after his arrival. This song is a classic example of the same.
Since we talked about fusion, this song is based on raga Bahudhari (S G3 M1 P D2 N2)-yes there bas been some liberal usage of 'ri' . Interlude treats you to another fusion of swaras sung out, with jathis and good work on drums leading you into yet another trance. Kannukul Thee Irundhum sets the stanza into motion with lovely chords with simple jathi backing to the fag end of the stanza.
Starting at 2.55, Tte second interlude IMHO is the best part in the entire song. The guitar plays amazing swaras from bahudhari. And you can keepo the inimicable Naveen on the flute away can you ?. Till you reach 3.30, the song maintains the racy tempo with fusion ambience produced via the rendition of Bahudhariraga. Listen to 3.27 - 3.28, how wonderfully Naveen executes that piece !!!!!!
Second stanza offers nothing new from the first stanza and the song gets ready to sign-off, with simple improvisations on the jathis and ARR unleashes another session of jathis and slap guitar and piano to end the song !.
Wonderful ! Watch out the bass riffs throughout the song ! nice one !. Fusion at its best. Even though western, carnatic style are in the race, in the end, the listener is the winner :-)
Rating 4.7 out of 5
Veerapandi Kotayile - Mano, Unni Menon, Chitra
Chitra (?) opens the song with a hum with immediately, a very innovative rhythm pattern sets in. If i remember correctly, it was played with rings (worn on fingers) tapped against (something like) cocunut shell. The thumping of rotosets the pace for the song.
Mano starts off with 'veerapandi kotayile' and now honest confession... ever since i heard that song, 'veerapandi kotayile' has always been 'punctuated' with 'zzzaaan zzzaan zzzannn zzzzan zzzzan' by the strings section. It is so addictive !!!
For the discerning listener in you, ARR has done voice layering. Mano sings a bass layer as well with his higher octave voice. Get a good ear-phone and a stero system, pump-up the volume and there you can hear him. Very nicely done :-)
Unni Menon backs up as the second male voice for the song. He does an equally nice job. His market picked up after ARR brought him back into the circuit. But poor him, with advent of Srinivas (who has similar voice/style) his market has come down drastically :-(
By the time pallavi is complete, you are 2 minutes into the song, but that does not take away the surprise element - finishing line of the pallavi. Listen to 1.59- 2.03. The 'ohh ohh' vocal are just out of the world - it goes through un-expected hoops with awesome string backing.
The pallavi itself has a 'recitative' feel to it - more like a narration than a song - which kinda gels well with the fast tempo. ARR, IMHO, has mastered the art of 'recitative' songs. Many of his songs have very simple and easy structure, that makes it easier to get into one's mind. At the other end of the spectrum, he has some of the most complexely structured compositions as well. (More on it, in a different post)
The interlude is very interestingly done. The tempo continues with minimal violin and flute combo, evoking the emotion of 'lonely night in a forest fraught with danger' :-). Checkout the section 2.57-3.03 beautifully done trumpet piece along with the orchestration of array of instruments . All of that paves way to the simple rhythm and chitra's voice.
Suddenly the song seems to take a turn for the 'softie' in you with 'rettai suriyan'. The pieces at 3.32 -3.36 distinctly brings a western classic touch to the song. ARR has used similar arrangements in Melissai (a very good song from 'Mr.Romeo') and couple of other songs (that i forget now). The instrument combo of flute, violin and strings bring that effect i presume :-)
The situation is supposed to bring out the herione love-torn between two heroes competing for her hand and the lines 'manavalan inge naanamma'and 'magarajan inge naanamma'provide for nice twist to the otherwise soft charanam and Chitra gets back to softie touch with 'idhu maalai mayakkam' and suddenly from nowhere, the song jumps back to 'ohh ohh' and back to pallavi !
The second interlude is really string in its bass'est mode (if there is a term like that ;) ). I can't seem to describe all the bends of the song in this section, but anyway within a brief period of 20 seconds, you get back on track with a normal theme and our now familiar ohh ohh and finally the chorus finishes off the song.
Pure and bold experimentation that gave us a brilliant song to like instantly. Sheer genius !
Rating 4.7 out of 5
Noticeably, all the songs had so many layers of musical tracks. That has been the hallmark of ARR. Many enthusiasts feel that, the number of layers explain why, sometimes, it takes so many hearings, for ARR's songs to grow on you :-). Every time you listen, you un-cover a piece. (To me, the only thing that comes closest to that experience is watching MMKR. Every single time, one finds a dialog that has been seemingly missed out, but is still rib-ticklingly funny.)
The Album for many years was rated as the best every by ARR - I would still like to think, it was one among his bests with his combined variety of melody, fast paced, fusion and experimental music. There has not been many such bold attempts at defying trend and setting new trends. For that very reason this album, IMHO gets a rating that is higher than the highest of any individual song :-)
Overall Rating 4.8 out of 5 ; if you don't have the album, go get it ! :-)
How did you enjoy this review ? Use the comment link below to express yourself :-)
Find more reviews in the music review archives
Acknowledgements : Arun@MusicPaithiyam
Rasaathi - Shahul Hameed & Co
A totally new voice was creating waves with the release of Thiruda Thiruda & Gentleman. Shahul Hameed it was !. Very different and pleasant at the same time, he was an instant hit with the audience.
It opens with Raasathi, and you can immediately bet your life, that you have never heard of such 'sounding' song before in your life !. Pallavi is simple and awesome. especially, the lines 'nee pona en'. Vocal harmony is all you get for any musical backing or interludes.
'mmmmhmmm's by the male harmony produces the equivalent of bass effect. 'aaah's by the female voice is nicely layered. First up, a single voice hums that, and then a chorus joins in. Looking at such wonderful layers of vocal harmony, Man, you are floored already and yet to even get to the stanza.
Shahul continues his rendition of the main theme, while the harmony picks up a faster tempo, and you could hear the first traces of bass (the only instrument in the entire song) being used. The male harmony, adds to the nicety in the humming (Manajal Araikkum Munne, 00.59 )
Every single line gets a vocal harmony which nicely complements the line. Listen to porava ponava dhaan at 1.13 - 1.17. The stanza is finished with a nice hum by the lead with harmony continuing.
The second interlude is made up of just female vocalists humming the theme of the song, with male vocal harmony providing with a such a peacefully satisfying tune.
The second stanza follows the first stanza to a 'T' and the song finishes off in the same vein, just that all the vocal harmony tracks are 'layered' to produce amazingly soothing effect.
The song proved early on, how much ARR loves to experiment. The song for the most part is bereft of any musical instrument, but for best ever known musical instrument, vocal chords ;)
It conveys the emotion of sadness caused by separation, excellently well.
Rating 4.6 out of 5
Kannum Kannum - Mano & Company
Yet again, the song starts with vocal harmony. The first time i heard it, don't know what hit you !. It was such a 'never-before-heard' in Indian Film Music type opening. You can replay from 0.00 till 00.23 and it will never disappoint you.
Mano starts the song with Kannum and immediately one notices the novelty. Every line alternates between a 'tick' kinda rhythm and hard-rock rhythm. The guitar work along with bass is awesome. The pallavi lines get repeated twice, before the first interlude sets in. The interlude is simple and cute. The stanza still uses the bongo ticks and hard-rock pattern. Bass guitar is the best part of the entire stanza.
The variety of voices/sound combination is evident by the use of 'vocal oohs' and the vocal effect at 2.22 - 2.27. The second interlude continues the vocal effect seen in 2.22 - 2.27 and uses the female vocal harmony to amazing effect. The guitar accentuates the hard-rock effect of the song.
Some of lines in the lyrics are funny, while some of them are downright superb like edhiri peyarai solli adhithal vetri endre artham. The song is relatively short by ARR standards at 4.06 but the tempo of the song is so fast that you dont even realize it has been just that short.
The song drags you into shout your heart out or shake your body out mode and you can really feel all our stress thrown out at the end of the song. Ecstatic best at the higher octaves and soulful swaras at the lower end.
For the carnatic music lover in your - learn agmark Sivaranjani from this song :-)
Trend-setter, pathbreaking rock song - and appropriately rocks !
Rating 4.7 out of 5
Konjum Nilavu - Anupama & Chorus
What can one say about this song ? About the husky vocals, the awesome programming, jaw-dropping rhythm or the tune itself !. This truly was a master-piece song from ARR's stable.
The song starts with opera like singing. The rhythm is such a free-flowing programming, built on top of traditional beats. Lotsa 'sounds' can be heard, that add the 'techno' feel to it. Bass, is noteworthy here. I think just the sheer work that goes into programming such stuff deserves high applause. The high point of the song is 'chandralekha' with nice chorus humming and superb chords. Interesting to note that some of the bass patterns were slightly touched up and used in 'oorvasi' and 'andha arabic'.
The stanza continues the bass loop, with ARR's forte, rhythm, being tweaked with techno effects like glass breaks etc. It already transports you into a dreamy fantasy mode, and wait till you hear the stanza. To the observant ear, you can notice the wonderfully done synth track that runs through the length of the stanza. The beautiful aspect of the stanza is how the melody theme, even though is very carnatic'ish gets superbly made-over to a western style. Listen to 'vandhu naan' at 2.32- 2.35, one could easily do an alaap in natabhairavi or related raagas as an extension to the song, but still one can swear that it is purely a western style song ! :-) Funny it is to realize that all music is contained in time-sequences of the seven swaras :-) !!!!!
The Suresh peters lead chorus at 2.47 through 2.55 adds a twist to the seriousness to the song and brings an awesome cresecendo to the song by Anupuma. The high point about the crescendo is the 'veena' piece between 3.05 and 3.08. No words to describe how we get puppetted at the wizardry of the music. Anupama scales the upper octaves as easily as she brings the seductive huskiness to the song. The second interlude is basically a re-work on the theme of the song and some from the first stanza. After a very brief pause, the song goes into the meditative mode yet again between 4.14 - 4.32 with the loop being played out by synth this time around. Yet again, the veena shows up for the brief cameo and brings the song back to its final phases, where Anupama once again lends so much 'emotion' to the song. The song finishes off with yet another amazing piece of higher octave singing and great work with the veena between 5.33 and 5.40
The end kinda wakes you up from the high-tech trance the song caused you to enter into :-) Only ARR !
Rating 4.7 out of 5
Putham Pudhu - Mano & Chitra
Sounds of thunder & rain greet you in this sweet melodious song wonderfully picturised in lush green background. PC Sriram and MR combo at its best ! Notes played by 'Bell' signifying rain drops (ARR does that often). Flute chirps away as if birds are dancing to the tune of nature, when beautiful run through of piano happens. I can still remember, how my friends (AP & AS) and I were excited to place our head right in-between in the two speakers of his boombox and see how the piano-roll would travel between one speaker and the other !. Chorus singing, violins and flute form the rest part of intro for 1.05 minutes into the song, before the actual pallavi starts.
(Remember all the audio casette store walahs ?, how they used to crib, "indha payyan, *in apparent reference to ARR* vandhapram, paatu ellam 5-6 nimishan ayidichu pa...munnadi ellam, 4 nimisham vandhale perisu" with a big sigh ! )
Mano opens the song with putham pudhu and Chitra follows him. There is the simple piano chords with lotsa treble, minimal violin instrumentation for the pallavi, and chorus is back at it again. The interlude is so wonderful, yet again, it transports you into such wonderful locations like only Ram.C manages to find :)
Mano continues with the charanam - Sondha Agayam vendum. Treble support continues but the bass steps in do amazing things to the song. Listen to the bass at 2.10-2.12. (Arun@Musicpaithiyam is to be blamed for all overflowing references to bass :P). The orchestration is simply superb and some of the lines (lyrics) are quite nice punnagai enghal thaai mozhi endra varam kodu is an eternally appealing line to lyricists of all times.
The second interlude is a show that is hijacked by the violins that continue with the dream world theme. Short but quite nice. This one song has quite a lot of chords that are underplayed, highly unlike ARR. As said earlier, the piano, violin, flute and heavy bass (awesome pieces between 2.13-2.15 and 3.36-3.38)
The lyrics, do definetely need some deserved credit. For the optimist, asking for peace, no cross-border disputes, no poverty, deserts turning into oases etc and are very good and fit well with the context of the song. Hopefully it just does not limit itself to the 'dream world' and works its way into reality as well.
Very melodious, sweet, simple and wonderful song.
Rating 4.7 out of 5
Thee Thee - Carolene
Jathis (Jathi Raja ?) and slap/bass guitar presenting 'straight from the book' opening of a perfect western-classical fusion song welcomes you to Thee Thee. As always with ARR, the complements of heavy percussion alternating with melody is brought out amply in this song as well. Carolene does the honors with this song, quite easily sung with beautiful chords. ARR redefined how chords get used in music arena after his arrival. This song is a classic example of the same.
Since we talked about fusion, this song is based on raga Bahudhari (S G3 M1 P D2 N2)-yes there bas been some liberal usage of 'ri' . Interlude treats you to another fusion of swaras sung out, with jathis and good work on drums leading you into yet another trance. Kannukul Thee Irundhum sets the stanza into motion with lovely chords with simple jathi backing to the fag end of the stanza.
Starting at 2.55, Tte second interlude IMHO is the best part in the entire song. The guitar plays amazing swaras from bahudhari. And you can keepo the inimicable Naveen on the flute away can you ?. Till you reach 3.30, the song maintains the racy tempo with fusion ambience produced via the rendition of Bahudhariraga. Listen to 3.27 - 3.28, how wonderfully Naveen executes that piece !!!!!!
Second stanza offers nothing new from the first stanza and the song gets ready to sign-off, with simple improvisations on the jathis and ARR unleashes another session of jathis and slap guitar and piano to end the song !.
Wonderful ! Watch out the bass riffs throughout the song ! nice one !. Fusion at its best. Even though western, carnatic style are in the race, in the end, the listener is the winner :-)
Rating 4.7 out of 5
Veerapandi Kotayile - Mano, Unni Menon, Chitra
Chitra (?) opens the song with a hum with immediately, a very innovative rhythm pattern sets in. If i remember correctly, it was played with rings (worn on fingers) tapped against (something like) cocunut shell. The thumping of rotosets the pace for the song.
Mano starts off with 'veerapandi kotayile' and now honest confession... ever since i heard that song, 'veerapandi kotayile' has always been 'punctuated' with 'zzzaaan zzzaan zzzannn zzzzan zzzzan' by the strings section. It is so addictive !!!
For the discerning listener in you, ARR has done voice layering. Mano sings a bass layer as well with his higher octave voice. Get a good ear-phone and a stero system, pump-up the volume and there you can hear him. Very nicely done :-)
Unni Menon backs up as the second male voice for the song. He does an equally nice job. His market picked up after ARR brought him back into the circuit. But poor him, with advent of Srinivas (who has similar voice/style) his market has come down drastically :-(
By the time pallavi is complete, you are 2 minutes into the song, but that does not take away the surprise element - finishing line of the pallavi. Listen to 1.59- 2.03. The 'ohh ohh' vocal are just out of the world - it goes through un-expected hoops with awesome string backing.
The pallavi itself has a 'recitative' feel to it - more like a narration than a song - which kinda gels well with the fast tempo. ARR, IMHO, has mastered the art of 'recitative' songs. Many of his songs have very simple and easy structure, that makes it easier to get into one's mind. At the other end of the spectrum, he has some of the most complexely structured compositions as well. (More on it, in a different post)
The interlude is very interestingly done. The tempo continues with minimal violin and flute combo, evoking the emotion of 'lonely night in a forest fraught with danger' :-). Checkout the section 2.57-3.03 beautifully done trumpet piece along with the orchestration of array of instruments . All of that paves way to the simple rhythm and chitra's voice.
Suddenly the song seems to take a turn for the 'softie' in you with 'rettai suriyan'. The pieces at 3.32 -3.36 distinctly brings a western classic touch to the song. ARR has used similar arrangements in Melissai (a very good song from 'Mr.Romeo') and couple of other songs (that i forget now). The instrument combo of flute, violin and strings bring that effect i presume :-)
The situation is supposed to bring out the herione love-torn between two heroes competing for her hand and the lines 'manavalan inge naanamma'and 'magarajan inge naanamma'provide for nice twist to the otherwise soft charanam and Chitra gets back to softie touch with 'idhu maalai mayakkam' and suddenly from nowhere, the song jumps back to 'ohh ohh' and back to pallavi !
The second interlude is really string in its bass'est mode (if there is a term like that ;) ). I can't seem to describe all the bends of the song in this section, but anyway within a brief period of 20 seconds, you get back on track with a normal theme and our now familiar ohh ohh and finally the chorus finishes off the song.
Pure and bold experimentation that gave us a brilliant song to like instantly. Sheer genius !
Rating 4.7 out of 5
Noticeably, all the songs had so many layers of musical tracks. That has been the hallmark of ARR. Many enthusiasts feel that, the number of layers explain why, sometimes, it takes so many hearings, for ARR's songs to grow on you :-). Every time you listen, you un-cover a piece. (To me, the only thing that comes closest to that experience is watching MMKR. Every single time, one finds a dialog that has been seemingly missed out, but is still rib-ticklingly funny.)
The Album for many years was rated as the best every by ARR - I would still like to think, it was one among his bests with his combined variety of melody, fast paced, fusion and experimental music. There has not been many such bold attempts at defying trend and setting new trends. For that very reason this album, IMHO gets a rating that is higher than the highest of any individual song :-)
Overall Rating 4.8 out of 5 ; if you don't have the album, go get it ! :-)
How did you enjoy this review ? Use the comment link below to express yourself :-)
Find more reviews in the music review archives
Acknowledgements : Arun@MusicPaithiyam
Friday, July 15, 2005
Found a Bug ?
With lotsa serious soul-searching (not soul-mate - duhh ;) going in the blogosphere, I wanted to write something lighter :-) Here is the outcome. (Acknowledgements: I was inspired by conversation with some of my colleagues)
Every Software has bugs. How do you market your software's user-friendliness, quality and at the same time make money out of the marketing blitz ?. Follow this technique.
Announce the following program for a long time, yes, not limited time.
*Terms and Conditions Apply:
1. You should not use a lens to read this terms and conditions. (Note, our font has been tested and approved to be not-readable with normal human-sight)
2. An expert panel from our developer group should agree that the reported bug is actually a bug. All decisions made by the developer group is binding and final
3. You may not report more than one bug. You will be disqualified if you have reported bugs in the past.
4. Very detailed step-by-step instructions should be filled out via our non-existent bug reporting system. The steps when followed by any person, should reproduce the bug. Also, the steps should be clear so that even a person, who does not understand the language should be able to read it
5. No other person, should have submitted this bug before. (Note, even entries that have been disqualified because of various reasons, would be considered as reported)
6. Bug should be reported within one-hour of the first sighting with screen shot at the time of the bug. Entries beyond one-hour will be disqualified
7. All bugs should first be attempted to be resolved via our state-of-the-art customer service center with the screen shot of the bug. You will be given a case-number that has to be attached to the entry-form.
8. You should wait atleast one-hour after you get the case-number to fill up the entry-form
9. You should give your email address which will ONLY be used for sending spam mails and you can not opt out of it.
10. ALL THE ABOVE CRITERIA MUST BE MET FOR THE ENTRY TO BE CONSIDERED FOR THE DRAW. ANY DISQUALIFICATION MEANS YOU MUST GIVE US AN iPod. As a customer-friendly measure, we plan on sending out self-addressed envelopes that wont be delivered without a stamp, that you MUST use to send in your iPod.
Every Software has bugs. How do you market your software's user-friendliness, quality and at the same time make money out of the marketing blitz ?. Follow this technique.
Announce the following program for a long time, yes, not limited time.
| Found a bug ? Win an iPod* |
| To participate in the program, you should find a bug in our software and submit entriy-form via our bug-reporting system, that we are yet to build. Only qualifying entries are considered for the unlucky draw. The chances of winning an iPod is one in zero. |
*Terms and Conditions Apply:
1. You should not use a lens to read this terms and conditions. (Note, our font has been tested and approved to be not-readable with normal human-sight)
2. An expert panel from our developer group should agree that the reported bug is actually a bug. All decisions made by the developer group is binding and final
3. You may not report more than one bug. You will be disqualified if you have reported bugs in the past.
4. Very detailed step-by-step instructions should be filled out via our non-existent bug reporting system. The steps when followed by any person, should reproduce the bug. Also, the steps should be clear so that even a person, who does not understand the language should be able to read it
5. No other person, should have submitted this bug before. (Note, even entries that have been disqualified because of various reasons, would be considered as reported)
6. Bug should be reported within one-hour of the first sighting with screen shot at the time of the bug. Entries beyond one-hour will be disqualified
7. All bugs should first be attempted to be resolved via our state-of-the-art customer service center with the screen shot of the bug. You will be given a case-number that has to be attached to the entry-form.
8. You should wait atleast one-hour after you get the case-number to fill up the entry-form
9. You should give your email address which will ONLY be used for sending spam mails and you can not opt out of it.
10. ALL THE ABOVE CRITERIA MUST BE MET FOR THE ENTRY TO BE CONSIDERED FOR THE DRAW. ANY DISQUALIFICATION MEANS YOU MUST GIVE US AN iPod. As a customer-friendly measure, we plan on sending out self-addressed envelopes that wont be delivered without a stamp, that you MUST use to send in your iPod.
Thursday, July 14, 2005
Caste, Religion Etc...
This post is in response to the discussion thread initiated by Senthil. This response is a bit long, bit more philosophical. Would urge people to read it through the end and think it over and come to whatever is their own conclusion.
Related Reads : Self, Realization, Zero, Summa Theologica
Here is what i think about it. Since i've been tagged the diplomatic guy, i will try to be sensitive to the question and emotions involved.
Bottomline : Should we need caste system. If yes, why, If no, do we need another system or how to abolish/eradicate the existing system.
Let us think about it.
1) What is religion
Religion is belief in God.
2) What is atheism
Atheism is belief in non-existence of God
3) What is Science
A Methodical way of explaining any phenomena.
4) Can Science define an absolute 'right' or 'wrong'
No. What is 'right' today - may be 'wrong' tomorrow. There is nothing that has continued to stay and has not not-changed. The only non-changed activity over the test of time is 'death'.
What was a rectangle,box is now sphere (Earth).
What had no water (ask all our lyricists) has now ice (Moon).
Like that, all things are susceptible to change. Can we even say that there exists something that is never susceptible to change. I am not sure. May be, we might even be able 'defeat' 'death'.
5) If there is no absolute 'right' or 'wrong' , is religion right
For those who adopt a religion it is right
6) If there is no absolute 'right' or 'wrong' , is atheism right
For those who adopt a atheism it is right
7) If there is no absolute 'right' or 'wrong' , is Science right
The method may always be right, but that does not imply the explanation may always be right.
8) Has Science enabled you to write this and communicate this
yes
9) Who created science
Humans
10) Who created humans
Evolution /God ( depends on you being atheist or a believer)
11) What is the single-most-parent-origin of evolution
we don't know
12) Do Humans change
yes
13) Does Science i.e. method of explanation change
yes
14) What does this all mean
we are trying to work on assumptions, that are subject to change, and hence all the conclusions are themselves subject to change. Every human works towards satisfying his own good. If you feel that, your primary objective in life is to help others, you help, because you feel good if you help others or rather, you don't feel good if you dont help others :-)
Nothing is to say, that, how we now say Earth is not box and it is actually sphere, all our assumptions may be voided in future by some other school of thought.
Keeping all of the above in mind......
15) Why was caste system put in place by our ancestors
We can only go by the historical literature, which says, caste was based on the profession and people were grouped
16) Why did our ancestors feel the need for a caste based grouping system
At that time, based on what they knew as science and what they felt as rational, they put in a system, that they felt addressed a need.
17) Is caste applicable now
Wait till you get to question Q.22
18) What do you get by belonging to any caste
You get a sense of belonging. You get to have an identity outside of your name & your deeds. You get to follow a certain set of practises . You feel like you are part of community
19) Why do you need an identity outside of your name & deeds
Humans are social animals. They need to be with some other living beings.
20) Why do you need to belong to a community
Building on the answer in Q.19, humans have 'egos'. And people feel that when they are a part of community, people with similar beliefs, practises and customs are together and that gives them even more security since it vindicates what they do :-)
Their egos always would like to make them feel superior that someone else. They feel superior to animals. If there were no animals, they'd feel superior over the trees. If not trees, then soil and so on. Why ? Because we think we have the ability to 'reason'. Just because we can 'reason' are we superior ?. We are different yes, but are we superior ?.
Now, even amongst our species, we feel 'oneself' is superior than 'otherself'. These are basic/primal insticts. Think of the world where everyone/everything knows they are all equals. But they also know that each one of them gets to live different life-styles and gets to live for different life spans. They would never know why there is this discrimination. That brings to the next question
21) Why is there discrimation in the Universe. Why can't everything in the universe (all of us) be trees or all of us be animals or all of us be humans. Why is there a need for a dog, a cat, a mango, an apple, a male, a female. Why can't all of it be the same ?
If there was no difference amongst everything in the universe, can the universe exist ?
If there was no different amongst everything, everything exists and everything does not exist.
22) Do we need caste now
Question should be, do we need discrimation. We are, by nature, born discrimated. Positively or negatively. We are born into this universe along with many other living beings. There will be discrimination.
23) Do we need to discriminate
As long as we realize, being different does not mean positively different or negatively different, discrimination is a way of life same as why universe is bundle of discrimination.
24) Why should a discrimination be positive or negative
One question i dont think i have reasonable answer.
We all live, knowing fully well, we all die, but not knowing what to do while we live. We have all devised what is 'acceptable' behavior during our lives.
Think of purpose of living as follows. It is like i write a number on a piece of paper and seal it in an envelope. And you start saying, ok let me guess what the number is and you start writing out some numbers. Now i make sure you can never get to the envelope by destroying it and i refuse to talk about it (Mission impossible huh?)
Whatever number you write down, there is no way of saying that, it is the right number, since you will never get to know the number i wrote. For all we know, you indeed got the same number i wrote in the envelope, but
how do you know, unless i told you or you got hold of the envelope ? :-).
*1) What if i never asked you to guess the number ? You thought you just had to find the number without me doing anything
*2) What if i never wrote a number on the envelope, but just let you imagine i actually did ?
*3) What if i never existed and the envelope never existed ?
*4) What if more than one person attempts to guess the number and in the process believe their methodology to get find the number is better than others ? or their number is right and other's is wrong ?
Think Think Think, for all you can think, can only yeild what you think as answers. One other person can agree with you. Thousands can agree with you. Millions can agree with you. Entire universe can agree with you.
Finally,
*5) Have you achieved anything by finding out why i wrote the number on the envelope ?. The very same envelope you are not sure that it even exists ?
Do you see a pattern between questions *1 through *5 as familiar ? Does it describe what we do in life ?
Please tell me if you did find answers to these questions *1 through *5 :-)
P.S : Ofcourse, there will always be people who do not buy these arguments or answers to the questions. They can choose to believe they are 'right' and am 'wrong'. I fully understand and appreciate their 'belief's while i still believe in what i wrote is 'reasonable' if not 'right' :p
Related Reads : Self, Realization, Zero, Summa Theologica
Related Reads : Self, Realization, Zero, Summa Theologica
Here is what i think about it. Since i've been tagged the diplomatic guy, i will try to be sensitive to the question and emotions involved.
Bottomline : Should we need caste system. If yes, why, If no, do we need another system or how to abolish/eradicate the existing system.
Let us think about it.
1) What is religion
Religion is belief in God.
2) What is atheism
Atheism is belief in non-existence of God
3) What is Science
A Methodical way of explaining any phenomena.
4) Can Science define an absolute 'right' or 'wrong'
No. What is 'right' today - may be 'wrong' tomorrow. There is nothing that has continued to stay and has not not-changed. The only non-changed activity over the test of time is 'death'.
What was a rectangle,box is now sphere (Earth).
What had no water (ask all our lyricists) has now ice (Moon).
Like that, all things are susceptible to change. Can we even say that there exists something that is never susceptible to change. I am not sure. May be, we might even be able 'defeat' 'death'.
5) If there is no absolute 'right' or 'wrong' , is religion right
For those who adopt a religion it is right
6) If there is no absolute 'right' or 'wrong' , is atheism right
For those who adopt a atheism it is right
7) If there is no absolute 'right' or 'wrong' , is Science right
The method may always be right, but that does not imply the explanation may always be right.
8) Has Science enabled you to write this and communicate this
yes
9) Who created science
Humans
10) Who created humans
Evolution /God ( depends on you being atheist or a believer)
11) What is the single-most-parent-origin of evolution
we don't know
12) Do Humans change
yes
13) Does Science i.e. method of explanation change
yes
14) What does this all mean
we are trying to work on assumptions, that are subject to change, and hence all the conclusions are themselves subject to change. Every human works towards satisfying his own good. If you feel that, your primary objective in life is to help others, you help, because you feel good if you help others or rather, you don't feel good if you dont help others :-)
Nothing is to say, that, how we now say Earth is not box and it is actually sphere, all our assumptions may be voided in future by some other school of thought.
Keeping all of the above in mind......
15) Why was caste system put in place by our ancestors
We can only go by the historical literature, which says, caste was based on the profession and people were grouped
16) Why did our ancestors feel the need for a caste based grouping system
At that time, based on what they knew as science and what they felt as rational, they put in a system, that they felt addressed a need.
17) Is caste applicable now
Wait till you get to question Q.22
18) What do you get by belonging to any caste
You get a sense of belonging. You get to have an identity outside of your name & your deeds. You get to follow a certain set of practises . You feel like you are part of community
19) Why do you need an identity outside of your name & deeds
Humans are social animals. They need to be with some other living beings.
20) Why do you need to belong to a community
Building on the answer in Q.19, humans have 'egos'. And people feel that when they are a part of community, people with similar beliefs, practises and customs are together and that gives them even more security since it vindicates what they do :-)
Their egos always would like to make them feel superior that someone else. They feel superior to animals. If there were no animals, they'd feel superior over the trees. If not trees, then soil and so on. Why ? Because we think we have the ability to 'reason'. Just because we can 'reason' are we superior ?. We are different yes, but are we superior ?.
Now, even amongst our species, we feel 'oneself' is superior than 'otherself'. These are basic/primal insticts. Think of the world where everyone/everything knows they are all equals. But they also know that each one of them gets to live different life-styles and gets to live for different life spans. They would never know why there is this discrimination. That brings to the next question
21) Why is there discrimation in the Universe. Why can't everything in the universe (all of us) be trees or all of us be animals or all of us be humans. Why is there a need for a dog, a cat, a mango, an apple, a male, a female. Why can't all of it be the same ?
If there was no difference amongst everything in the universe, can the universe exist ?
If there was no different amongst everything, everything exists and everything does not exist.
22) Do we need caste now
Question should be, do we need discrimation. We are, by nature, born discrimated. Positively or negatively. We are born into this universe along with many other living beings. There will be discrimination.
23) Do we need to discriminate
As long as we realize, being different does not mean positively different or negatively different, discrimination is a way of life same as why universe is bundle of discrimination.
24) Why should a discrimination be positive or negative
One question i dont think i have reasonable answer.
We all live, knowing fully well, we all die, but not knowing what to do while we live. We have all devised what is 'acceptable' behavior during our lives.
Think of purpose of living as follows. It is like i write a number on a piece of paper and seal it in an envelope. And you start saying, ok let me guess what the number is and you start writing out some numbers. Now i make sure you can never get to the envelope by destroying it and i refuse to talk about it (Mission impossible huh?)
Whatever number you write down, there is no way of saying that, it is the right number, since you will never get to know the number i wrote. For all we know, you indeed got the same number i wrote in the envelope, but
how do you know, unless i told you or you got hold of the envelope ? :-).
*1) What if i never asked you to guess the number ? You thought you just had to find the number without me doing anything
*2) What if i never wrote a number on the envelope, but just let you imagine i actually did ?
*3) What if i never existed and the envelope never existed ?
*4) What if more than one person attempts to guess the number and in the process believe their methodology to get find the number is better than others ? or their number is right and other's is wrong ?
Think Think Think, for all you can think, can only yeild what you think as answers. One other person can agree with you. Thousands can agree with you. Millions can agree with you. Entire universe can agree with you.
Finally,
*5) Have you achieved anything by finding out why i wrote the number on the envelope ?. The very same envelope you are not sure that it even exists ?
Do you see a pattern between questions *1 through *5 as familiar ? Does it describe what we do in life ?
Please tell me if you did find answers to these questions *1 through *5 :-)
P.S : Ofcourse, there will always be people who do not buy these arguments or answers to the questions. They can choose to believe they are 'right' and am 'wrong'. I fully understand and appreciate their 'belief's while i still believe in what i wrote is 'reasonable' if not 'right' :p
Related Reads : Self, Realization, Zero, Summa Theologica
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